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Sound Installation Art
Abstract
This essay examines the subject of sound installation art
with reference to my own work in the area of electroacoustics. The concept
of sound installation is discussed in relation to installation art in general
and to conventional music composition. Focus then narrows on concepts of
electroacoustic installations designed for public spaces. Guidelines for
new methods of working with sound in this context are suggested. Descriptions
of my own installations created between 1984 and 1996 serve to demonstrate
the practical application of principles proposed.
© 2000, zuletzt geändert am 18. November 2002.
Robin Minard
type:
BEM
state:
finished project
Date:
18.11.2002